Photoshoot Makeup Guide: 5 looks for Women Of Color [ Guest post by Izmir Henry ]
When I wrote my previous blog post, using myself as a lab rat to create a progressive, building-blocks inspired makeup guide for your next photoshoot, I knew my work was not complete. I am, after all, a white woman with cool coloring, and the makeup styles and colors that look good on me, may look completely different in women with different coloring and complexions. And if finding looks my clients could relate to was difficult if they were white, it was next to impossible if they were of a different ethnicity.
So I contacted the amazing Izmir Henry, a lovely and super talented Panamanian living in Hamburg, Germany, and creator of Maquillate con Proposito (Makeup with Purpose) and asked her if she would be interested in creating a makeup guide, with 5 progressive looks like I had done for myself, for women of color. To my utter delight, she said yes! So…
Ladies and Gentlemen, I hereby present you The Photoshoot Makeup Guide, Part II.
Izmir worked just as Maria had worked with me, with the idea of a makeup system that could work progressively, so you can decide after each step, whether you want to deepen the look and make it more dramatic, or not. As in the previous post, none of the photos was retouched in photoshop at all, because we wanted you to have a clear view of the change makeup can achieve on its own.
Before we begin going through the different looks, two important clarifications:
1) You will notice that Izmir used different colors from the ones Maria did with me. There is no grey and black smokey eye in this guide, and this is because Izmir’s skin has warm undertones (whereas I have cool undertones).
Skins with warm undertones look better on reds, oranges, yellows, creams, bronzes, caramels and chocolate browns.
Skins with cool undertones look better in lavenders, pinks, whites, blues, greys and blacks.
It’s important that, when deciding your makeup style, you take this into account in order to select colors that suit YOU better. As you will see in Izmir Photos, a chocolate smokey eye looks amazing.
2) A note about products: Finding the right products for darker skins in Europe is problematic, so Izmir mixes two foundations to create the right color for her, and two concealers. We have detailed the products she uses, in case your skin color is similar to hers. Here they go:
1. Foundation: Maybelline Fit Me Matte + Poreless 350 & L’Oréal Paris True Match 7D/7W
2. Concealers: Maybelline Instant Age Rewind concealer neutralizer + L.A. girl pro conceal in Fawn
3. Finishing Powder: Laura Mercier secret brightening powder for under eyes 1
4. Mascara: L’Oréal Paris voluminous feline noir blackest 633
6. Cejas: Chou Chou Berlin brow blender dark taupe
7. Lipstick: L’Oreal Roche Toasted Almond 843
(side note: hello, L’Oreal, how about you provide options for someone other than white people?!).
Here are some photos of the colors she used:
Ready? Let’s begin with the softer looks.
The first photo below shows you Izmir without any makeup at all, so you can see for yourself the difference made by each product she added.
1) LOOK 1: The Minimal Look:
In order to create the first look, Izmir started by using foundation (she mixed two in order to create the right color for her complexion). Then she used concealer under her eyes, also mixing two shades, and eye primer. She then added highlighter , finishing powder and blush in a lovely bronze color. She also delineated her eye brows with Eye Brow pencil.
Finally she drew a very thin line on her top eye lids with liquid eye-liner and topped the look off with a coat of mascara.
If you look at the photo collage of the first three looks, you will notice that, even though it doesn’t look like she’s wearing makeup with this style, the difference it makes in her skin and eyes is, as in my own guide, quite noticeable.
2) Look 2: The Day Look
In this look, which is ideal for an everyday look and looks really nice, Izmir added eye shadow (white on the upper part of her top eye lid and yellow and orange-brick color on the lower part of the top eye-lid). She also added a thicker layer of liquid eye liner, which better defines her eyes.
As you can see, both looks are ideal for someone who is not used to wearing makeup, yet wants a little extra something.
3) Look 3: The Day to Night:
This look would work really well for the day, as well as for a night out. The main difference between the two looks is that, in this one, Izmir continued adding more orange-brick eye shadow and added chocolate brown eye shadow too, diffusing them for a warm, deep look that beautifully highlights her eyes.
4) Look 4: The Caramel Smokey Eye
In the fourth look, the eyes start to get more dramatic.
Izmir created this look by adding more chocolate brown eye shadow (the one she chose has golden sparkles too) and blending it with black eye liner. The combination with the preceding orange eye shadow creates a beautiful burnt caramel look.
As you can see from the photo above, the eye liner line that was clearly defined and looked very much as made with liquid eye liner, now blurs and blends with the eye shadow. It’s there, but softer.
5) Look 5: The Chocolate Smokey Eye
Finally, the most dramatic look, the Chocolate Smokey Eye, darkens and deepens the previous look by adding even more chocolate eye shadow, combined and diffuminated with more black eye liner pencil.
Both smokey eye looks are also complemented by neutral lipstick, which adds shine and a tiny bit of color to the mouth.
You can see the difference between both smokey eye looks in the photo below:
And here are all 5 looks side by side.
And a Pinterest-friendly image, if you want to save this post in your boards and share it with the world.
Which one would you choose for yourself? Which one feels more like you?
Have you ever tried Smokey Eye? Would you try it, if you haven’t yet?
Do I need to wear makeup for my branding photoshoot? [ Photoshoot Makeup Guide Part I)
When I started photographing women entrepreneurs, three years ago, one of the main questions I’d get asked over and over again was whether my clients needed to wear makeup for their photoshoot, and if the answer was yes, how much should they wear.
Up until that time, I hadn’t realized how much the pervading imagery around what a “professional looking woman” was supposed to look like involved a whole lot of makeup. Most Pinterest images involved elaborate before and after shots where a woman would be transformed from the average mum we meet during school meetings into a diva worthy of a Vogue cover shot. The Makeup Guides I could find showed how different styles looked in 20 year old girls with a beauty worthy of a runway- even without makeup.
Needless to say, most of my clients had trouble believing me when I told them that no, they didn’t need to wear makeup for their branding photoshoot. That a branding photoshoot is more about authenticity than glamour (unless glamour is what your brand stands for, or your archetype favors elaborate looks, such as the Ruler of the Lover). That what makes you shine in images is a light, a passion, an energy that comes from within and connects to your ideal clients.
And, for those who wanted to wear makeup, they had a terribly difficult time seeing themselves in examples of perfect-looking 20 years old. So I decided to take matters into my hands, and create the resource I had fruitlessly been looking for elsewhere.
In the name of science, I used myself as lab rat and hired my favorite Cyprus makeup artist, Maria Kalogirou, to create 5 progressive looks that could help my clients, and you dear reader, decide whether you want to wear makeup for your next photoshoot, and if so, exactly how much.
The beauty of the system is that, being progressive, you don’t need make a final decision from the beginning. You just need to start, and then see how comfortable you feel as it progresses. You can stop after each step, take a mirror and say ” I’d like to move to the next one”, or “This is it, this is the perfect look for me, I don’t want anymore than this”.
I set the camera in Maria’s salon, and left it on a tripod while she worked. Whenever she would finish each step, I’d stand up and shot an image or two, then go back to the seat for her to continue. I also took photos with my cellphone in between, which you’ll see in this post too.
The images have not been digitally retouched: You can see my face exactly as it looked without makeup, and with it in its different stages. This is important because I want you to notice the difference each product added makes. Only then can you make a decision with any degree of certainty.
The triad below shows :
My face without any makeup at all
My face with a minimal look (bare minimum makeup)
My face with a soft, yet a tad more sophisticated look.
These two first looks are the ones most of my clients choose for themselves, so I wanted to show you what they involve in detail. As you can see there’s quite a difference between the photo of my bare face and the first look. The skin tone is even, there’s no redness, my eyebrows look bigger and my eyes pop.
The Minimal Look
The total time it took to accomplish the first look was 20 minutes, and this is what it involved:
Maria begun by cleaning my skin and applying moisturizer. She then added liquid foundation in my skin tone, used two colors of powder for contouring (adding shadows and light to different areas of my face), and concealer to hide imperfections and the dark circles under my eyes.
The next step was adding eye primer (the eye shadow lasted perfectly 12 hours thanks to it), and then adding definition to my eyebrows.
Finally, she added a light mauve eye shadow (the one shown in the photo below, on the right), a very thin line of liquid eye liner, and one coat of black mascara. She finished it off with pink blush in my cheeks.
Here’s a close up of the first look and what it involved:
If you are not comfortable wearing too much makeup, yet want something light that can still highlight your best features, this may be the style for you. This is also a great style for those whose branding archetype tend to have more natural looks, such as Explorers, Girls next door, Caregivers, and even some Innocents and Heroines.
2. The Soft Look
After we shot the first look, Maria continued building on the look above by adding grey eye shadow to the outer corner of my eye lid and under my eye. She added very, very little, so much so that it took only 3 minutes to go from one look to the other, yet you can see (if you can get past my silly camera-triggered- with- remote- control face 😉 how they look quite different.
I believe this is still a day look, that can be worn comfortably with everyday clothes, and which can easily suit archetypes such as The Sage, The Ruler , The Magician, The Lover or The Creator.
Now we move to the three more dramatic looks:
3. The Day to Night Look
4. The Grey Smokey Eye look
5. The Black Smokey Eye look
In all three looks, the only thing that changed was the level and color of eye shadow used. Nothing else was touched on my face. On the final look, we could have used fake eyelashes, but I can’t stand them (they make me cry), so we didn’t. We could also have added a bit of nude lip gloss, but opted not to so as not to distract the focus from where we wanted it to be: the eyes.
3. The Day to Night Look
For this look, Maria added a bit more grey eye shadow in the same area as in the look before, basically deepening it. The transition took, once again, no longer than 5 minutes.
This look works very well both during the day and at night. It clearly defines the eyes, yet is not so strong that cannot be worn with lipstick. This is the style I personally use when going for a party, and I complement it sometimes with my favorite red lipstick, YSL Rouge Volupté Shine number 4. This look can be worn easily by the same archetypes as the look before.
Here’s a closeup of the 3rd look, with what it involved:
4. The Grey Smokey Eye Look
With the 4th and 5th look, we enter into more dramatic territory.
I must confess this was the first time I tried the smokey eye look. I guess we can say I’m a bit late to the party, but I had this unfounded idea that I wouldn’t look good with them. I believed, like most of my clients, that they were “too much”, “not for me”, “too dark”, “too much like someone had punched me in the face”.
Well, I was wrong. I wouldn’t wear them everyday, nor probably for a branding photoshoot (I think looks 1 to 3 would be more brand-aligned for me personally) but for a special occasion, or a fantasy photoshoot? Yes, totally, count me in.
Soooo…Grey Smokey Eye came first, and it was a more natural transition from the look before.
In order to create it, Maria filled my upper eye lid with Dark Grey eye-shadow, blending it with a bit of black eye-shadow. She also deepened and strengthened the line under my eye and added a deeper line of eye liner on my upper lid too.
Here’s a close-up of this look:
And here’s a close-lid view of looks 3 and 4, so you can see the difference more clearly:
This look would look beautiful in fantasy shoots (think fairy tale style, like Mayi Carles’ The End of Boring) and also for those of you with branding archetypes of Creators, Magicians, Lovers, some Rulers, some Outlaws (it can scream “Rebel”with the right clothes), and some Jesters.
Getting from look 3 to 4 took 10 minutes.
And finally…drum roll please:
5. The Black Smokey Eye
This look is as dramatic as they get. And, confession time, it was kind of scary for me, who only wear one thick line of eye-liner on my upper lid and mascara, to go. It was also the longest it took: 20 minutes to move from look 4 to 5- and a whole lot of black eye-shadow!
Here you can see the transition (I asked Maria to work on one eye at a time so I could show you the difference between both smokey eyes):
To move from grey smokey eye to black smokey eye, Maria blended a ton of black and dark grey eye shadow, making sure to add only grey in the area where the eyes meet the nose, to avoid the “someone punched me in the face” look, which no one wants, amiright? She also added two more coats of mascara and an additional coat of black eye liner.
As you can see from the photos, This look completely covers the upper lid and creates a thick line around the lower part of the eye too, completely encircling it.
This look works amazingly for fantasy shots, such as the witchy self-portraits I did for The End of Boring below. It would also work beautifully for Outlaws…imagine these eyes, ripped jeans and a black leather jacket? Lovers could also pull it off in sensual shots (with a long, black or deep red satin dress, for example). It could even work for innocents, for as long as they were focusing on the fairy tale aspect of the brand (it wouldn’t work with every day clothes for them).
You can see a close up of this look here, with a detail of what it included:
Finally, here are all 5 looks side by side:
Which one would you choose for yourself? Which one feels more like you?
Have you ever tried Smokey Eye? Would you try it, if you haven’t yet?
Let me know in the comments below! And if you want to share and pin all 5 looks, here’s an image to help you do so:
You’re here because you’re one smart business lady, and smart business ladies make conscious decisions about every aspect of their business. Especially so when it comes to your branding- and your images are part of your branding.
So how do you choose a style that works well for you? A style that’s easy to differentiate and with which you’re sufficiently comfortable with to be able to keep using it for years to come?
Here are 4 simple ways you can do so:
The simplest way of all. Color is very memorable and produces instant reactions in our viewers. Colors increase brand recognition by 80%, which is why brands like Tiffanys have their own trademark pantone color.
Denise picked up Turquoise, her favorite color, and even though she re-branded and redesigned several times, she remained consistent in her colors. The tonality and shade of turquoise changed very subtly over the years, but the main color stayed. And, for those who know her, turquoise is DENISE.
Bushra chose by default her brand colors: they were the default colors of her wordpress theme, and orange is her favorite color. But she used them in everything: her website: the clothes she wore on her professional portraits, even decals she pasted on her wall to use as background for her videos. After a few months whenever people saw orange, they thought of Bushra. A fan even sent her a photo from Ikea, sitting on top of Bushra’s Orange circle rugs.
THAT is the power of color.
So how do you choose the right colors for you? You may begin by selected colors you love, but if you want the full science behind colors in branding, I recommend Brand Color Breakthrough by Karolina Chic. Karolina is a color expert and in only two hours she can guide you to make the best decision.
I discovered this method when reading the books How to Style Your Brand and Brand Brilliance by Fionna Humberstone (both books I absolutely recommend).
This system takes the color system above to the next level. It is based on color psychology and uses the seasons in nature, and the emotions conveyed by them to create a cohesive look that transmits to your customers what you want to transmit.
The beauty of this system is that, with it, you won’t only know what colors to use, but also what type of photos are good for you, what fonts correlate great with your brand season, what graphics fit your brand style and what effect all that will have on your customers.
Fionna has three wonderful free resources in her blog to understand the seasons, including sample seasonal color palettes. You can check them out here:
Yes, you heard correctly. This system is for the woos out there.
My client, Luisa Silva, from LuisaBazi.com uses Chinese Astrology, and the energetic patterns of your birth chart in order to see which colors, style and even content medium is better for you, which elements should be present in your photos and which ones shouldn’t, and the best dates to start projects, launch products and overall do anything that matters.
My system of choice and the principal one I use with my clients. Why? Because it involves two of my passions: psychology, mythology and the world of symbols, and it’s the system used by big brands like Coca Cola.
This system is based on the work of psychologist Carl Jung, who believed (as I do) that there exists a collective unconscious, a series of symbols and meaning shared by all of humanity, and that within this collective unconscious, existed archetypes, which were universal images and patterns that define how we see, feel and approach the world around us.
In the 1960s, Jung Archetypes were translated into branding, and the main 12 branding archetypes were born. These define, not just the colors we use, but more importantly, our mission, our strengths and weaknesses and all our communication.
They define the ESSENCE of your brand – and its soul.
They make it relatable and understandable, because they tap into things we have intuitively known all our lives. They give it meaning , and, because of it, they make it powerful.
And they do so because they relate to the fulfillment of 4 basic human desired and motivations:
Stability, Mastery, Independence and Belonging.
The 12 branding archetypes are:
The Innocent, The Explorer, The Sage yearn for – and promise- paradise and independence
The Magician, The Hero, The Outlaw, look to leave their mark in the world through self mastery
The Lover, the Regular Guy and the Jester look for and promise belonging.
The Caregiver, The Creator and the Ruler searched for and provide stability.
You have seen them at work in the powerful tales of our time.
The Hero lives in Luke Skywalker’s journey to free the galaxy from the Oppressive Empire and in Frodo’s quest to destroy the One Ring. It lives in Rey, whose innate command of The Force and her big heart and love for her friends, sets her on her own heroine journey.
The Magician lives in Yoda, and Merlin who guide Hero and Ruler to discover their power- starting from within.
The Ruler lives in King Arthur who unified the tribes and provided stability to the Kingdom. It lives
When I found my archetypes (The Magician and The Innocent) it was like finding the key to my soul. Go take the quiz, and then come back and tell which are yours!
If you liked this video and want more like it, subscribe to my channel and share it with your friends. Remember to download the checklist of questions that comes with this post on the link below, so you can go through all this before your next photo shoot.
Have a lovely day and I’ll see you soon with more videos to help you grow your business beyond your wildest dreams
How to know exactly how many photos your brand needs
You’re about to plan a photo shoot, and are ready to call a photographer o get your first brand photos. Or maybe you’ve set your eyes on a premium stock collection.
But will the photos you have asked be enough?
What should you ask your photographer to photograph?
How many photos will you need before you need a new shoot or a new purchase?
How can you make sure you’re maximizing your investment, and won’t end up wishing you had asked for something different a month from now?
In today’s video I’ll show you the system I use with my photography clients to make sure all their image needs are met- for at least a year.
Prefer to read? Here’s the transcript:
Images follow words, my friends. And they follow your projects, your goals and your business objectives.
In order to determine which photos you will need, here are the questions you need to ask yourself:
Will I change my website? Re-brand? Upgrade my design? Create a video intro?
You need to know this in order to make sure that all your design needs are met. If you will be doing a major re-brand or re design, it’s a good idea to work with designer, brand stylist and photographer as a team, so each has the same vibe and feel.
Your design and branding, including branding collaterals and other printable material will also determine the size and resolution you will need, as well as the type of photos you require. As a minimum, you will need:
A great photo for your Header.
A great portrait for your about page
A variation of photos that you could use in your blog and to further illustrate other pages.
2. Am I at the center or my brand, or are my products? Do I want to shift this?
Personal Brands are all the rage these days, but they’re not everybody’s piece of cake, or great for every business.
It is up to you to make your business based on YOU, to be the face of your business, or to make it more product/service based. I recently had a client, for example, who hired me because she was tired of having her face plastered everywhere on her site. She wanted to put the accent on her clients and what she could do for them instead. So we created a series of images with lifestyle scenes and flat lays showing her products and representing her services, and how her clients could use them. We photographed the printable worksheets of her lead magnet and those of her main offering, and created images with electronics where she could overlay blog posts, videos and other material, to keep her images up to date.
3. What content will I create this year?
What topics will you write about? Where will you focus? How many blog posts, videos, social media posts are you planning to put out into the world?
The most effective photos speak the same language as your copy. So plan what you will be speaking about, so that you can find or commission photos that show the same topics and elicit the same feelings.
4. What free lead magnets will I create this year?
Again, think about topics, feelings and lifestyle, as well as practical issues such as design, and layout.
5. Which services do I want to promote? Has anything changed about my services that I want reflected in my photos?
Do you want to promote one to one services? Group programs? Live seminars? A conference? The type of photos you’ll need for each of these are different. If we want to convey personalized, one to one services, a photo of you leaning towards the viewer would be great, as would photos of hands in front of the computer, or working on your worksheets…whereas for group programs, seminars and conferences we would also need to convey the idea of community.
Same with your services. A change in the type and range of services you offer may require a re-evaluation of the photos used to represent the lifestyle and convey the feelings you want to elicit in your potential customers.
6. Which products will I be launching this year? With which frequency? Do these products have photos or do I need to take new updated ones? Are there new products? What is important for people to know at first glance about my products that I want the photos to reflect?
Knowing what you will be launching and when will allow you to make sure that you always have photos for your sales pages, social media and ads and that these images match the feeling of the products you’ll be launching.
And don’t worry if you haven’t finished creating those products. If you have an idea of what they will be about, and who they will target, I can photos photos for them.
Here’s how I did it with one of my clients, Andrea Hiltbrunner. We took a look at Andrea’s huge range of products, and her brand colors, and grouped them according to the chakra they helped activate. For example, some products helped her clients access their intuition, so we chose the colors of the third eye chakra, some products helped her customers feel empowered and make money, so we used to colors of the first and third chakra (red and gold). We divided products in the same way, using archetypal symbols.
For some core online products that were ready to be launched, we printed their worksheets, but for those that were still in development, we focused on the feeling we wanted to portray, where they landed in our chakra color chart, and used electronics and blank pages where Andrea’s designer could later overlay the worksheets and video snapshots of her course.
If you are planning to create a different range of products, talk to your photographer about them so she can shoot images you can later use to illustrate them, and don’t need to run around stock sites looking for extra images.
7. Where do I promote my business? Will I be adding new channels?
Which social media platform do you use? Which one gets you the most and best clients? Are you planning to add a new social media platform or simply deepen and grow your presence in the one you’re already mastering. How many times a day do I post on each? Do you also advertise? Where? Facebook ads? Google ads? Blogs? Print media?
This is important for three reasons:
a- First, because you will need photos that can look great in the sizes and resolutions of each medium,
b- Second, because each social media platform has different audiences and what works in one, may not work in the other. Instagram audiences, for example, prefer more curated feeds, whereas “realness” and humor work very well on facebook.
c- Third, because the number of posts and the sizes you require will determine how many times you can repurpose a photo with crops, and color overlays. One of my flat lays can be cropped into 30 different square images. With color blocks in two different brand colors and two different shapes,each image can shield 150 instagram posts. If you consider that with my Grow Plan, you get 15 high resolution images and 30 tutorials on how to repurpose your images, what you are actually getting are 2250 social media posts, which allows you to post 6 times a day for a full year on social media, and not repeat visuals. Or 3 times a day for two years. Without counting photos you make take with your phone, or portraits or even graphics.
15 photos, then, are not 15 photos. Well planned, they’re two years of peace of mind.
8- What do I want my clients to know about me?
The answer to this question will determine the type of photos we take. Whether we focus more on lifestyle images, corporate style ones, or on your products.
Here’s what you need to do: Choose 5 qualities you want to convey with your photos. The ones that make you different from others in your same field. Give these words to your photographer or use them as keywords during stock photography search.
9- What feelings do I want to convey with my photos?
What do you want your future customers and your fans to FEEL when they see your images? What do you want them to think?
Peace and Calm?
Choose 3 core desired feelings that you want your brand to convey and list them down.
Now let’s put all this together.
Let’s say in the next year you will:
Redesign your website
Launch, twice, 2 existing products which have outdated photos (one is coaching/mentorship, the other is a group program at a medium price range)
Create a new product (a high end retreat or a conference/ a high priced group program)
You have 5 different lead magnets that use a combination of printables and video.
You will publish 52 blog posts, of which half will be video.
You want to show: leadership, excellence, approachability, spirituality, warmth
You want people to feel relaxed, empowered, and joyful when they see your photos.
You will post on instagram and facebook 3 times a day. You will also start using linkedin and need images for your youtube video thumbnails. You will promote using facebook and linkedin ads, and want photos that are printable because you are looking to get featured in the printed press.
Here’s how this translates into images:
You will need,at a minimum:
3 o 5 different portraits. You will want a portrait for your about page and social media profile photos (make it the same), and a variety of other photos for other parts of your website (eg, contact page), and for media publications, as well as social media. These should include a photo of you leaning forward to represent listening to a coaching client, and a photo of you speaking on stage (to promote a retreat, or conference)
5 different portrait orientation product/lifestyle photos that you can use for your lead magnets, social media and website illustration.
10 flat lays that you can use for your website, and that you can crop for social media and to promote your content. 10×150=1150 /365= 4 photos a day. The Flat Lays will show your different products (2 with the style of each of your products, and 4 in the general style of your brand, more towards the higher end style, with electronics, . They can also act as Header and floating backgrounds for your website.
Ideally, you would also add 3 to 10 lifestyle photos showing groups of people working together, listening (to you speaking) and detail shots of beautiful objects included in your brand (such as brand collaterals, gift packages etc, if you have a fully designed brand. If you don’t, you don’t need this).
GRAND TOTAL: 15 -25 product, flat lay & lifestyle images, + 5 portraits. 20 to 30 high quality, personalized, high resolution images can solve all your photography needs for a full year.
You can always add more images, and I would absolutely recommend getting professional retreat or conference photos, as well as professional book photos, if you’re a published author. You can also, depending on your budget, shoot individual collections for each product. But with 20 to 30 great images, you are set. All the rest is the cherry on top.
If you liked this video and want more like it, subscribe to my channel and share it with your friends. Remember to download the checklist of questions that comes with this post on the link below, so you can go through all this before your next photoshoot.
If you’d like to work with me, book a free call over at marcelamacias.com/book-now so we discuss what all your needs.
Have a lovely day and I’ll see you soon with more videos to help you grow your business beyond your wildest dreams
8 Mistakes you should avoid when creating a Flat Lay
Have you ever started creating a flat lay for your business, only to discover that you can’t manage to make them look like you had in mind- but you don’t really know what you’re doing wrong?
Today is your lucky day, because in today’s video I will show you the mistakes you need to avoid when creating a flat lay for your business- and what to do instead.
Check Margalida’s video here: https://www.youtube.com/watch?v=uqr1HrAj-FA
Prefer to read? Here’s the transcript:
This video is a collaboration with landscape architect Margalida Nadal, who will show you how to arrange flowers in a flat lay so they look their very best. Margalida has an amazing youtube channel with plenty of tips for your garden – so if you speak Spanish, go check it out after this video.
So, what is a flat lay? A flat lay is a photo of a desk or any collection of objects taken with a bird’s eye view- or in other words, from above. Flat, because that’s how all objects look from that view (there’s nothing tri-dimensional no objects out of focus, no background other than the one where the objects lay. They’re very popular on Instagram because they’re relatively easy to take with a phone camera and you don’t need funny lenses to do so.
They look easy- but if you’ve tried to take one yourself you may have realized they’re not so much so. So, to help you out, I’ve compiled the most common mistakes I’ve seen online-so you can avoid them, and simple easy solutions you can put in practice today.
Mistake Number 1: You don’t have a strategy behind your flat lay
This is the number one mistake most people make. Having a strategy means: you know in advance where you want people’s eye to go, what you want them to focus on, what feeling you want to provoke in them when they see your photo and how and where you will be using the photo.
You are a smart ladyboss, you make sure you know this before you begin:
What do you want to showcase: A product? Lifestyle? Some object you want people to identify with you.
What feeling do you want to evoke: Fun? Ease? Aspiration? Comfort? Cozyness? Joy?
How will you use the image ? Will you add text? Will you crop it in several different images? Will you overlay blocks of color?
What objects that you have around your house speak about you, about who you are, about your values, about what matters to you? Could you add these to your photos?
Taking a few minutes to answer these questions will help you create faster and with ease photos that enchant your customers and grow your business.
Mistake Number 2: You don’t have a clear focal point or you’re not using it correctly.
The biggest mistake. This is when it’s not clear in the photo what you should focus on, or the most important objects are away from the places where the eye is naturally drawn.
You need to decide what you want people to notice FIRST when they see your photo, and place that object in the right place for that to happen.
What’s the right place? Here are a few examples:
Center: The easier one, where the rest of the objects frame the object in question and direct the eye to it.
Rule of thirds: draw two horizontal lines and two vertical imaginary lines in your background and place important objects in the intersection between two lines. Movies and series do this all the time (show framing of Outlander).
ONE NOTE: If you are creating a flat lay with negative or white space where you are planning to add text, consider text your focal point and style accordingly.
Mistake Number 3: There are too many objects distracting from the focal point
I love props. I adore them. Scouting them, buying them, styling with them. But the key with props is to use them STRATEGICALLY, to direct the view and to say things that you can’t say with words. Objects denote luxury, coziness, spirituality, fun, child-like joy, or your heritage..and pretty much anything you want to say, and, as such, are powerful assistants.
But when they clutter the image, they detract from your focal point (and remember, the focal point is what brings sales!) . Cluttered images are overwhelming…and an overwhelmed person won’t buy.
Allow the eyes to rest….and when in doubt, remove until what stays feels just right.
Mistake Number 4: The lines in your flat lay take the eye away from your focal point
Remember those foam hands with pointed fingers that were everywhere in 50’s adds? Or those images of a woman pointing at text?
The objects in your flat lay need to act like those fingers, they need to be like arrows pointing at your focal point.
So here’s what you need to do:
1) Take a look at the shape of the objects you’re planning to include in your flat lay and make sure that they’re directing the eye where you want them to. Example: pen, post its, erasers, spoons.
2): Use hands to draw attention to the most important objects by holding them or framing them
Mistake Number 5: The composition is not balanced
You either have too many objects on one side or none at all. Remember: The Human eye likes symmetry, so unless you’re creating a flat lat to act as a frame or partial border, make sure there’s balance in the number, position and height of your objects…
Which brings me to the next point…
Mistake Number 6: Some objects are out of focus
In a flat lay all objects should look crisp and sharp. You should be able to quickly visualize everything in them- which is why they’re so great to photograph with your phone camera
But in order for all objects to be in focus, you need to take care of two very important things:
1) Have the right camera settings. If you’re shooting with a DSLR, make that your aperture is higher than 4. I shoot flat lays at 7 or above (depending on the lens, the sharpest aperture varies). Lower numbers are great for close ups because they blur the background, but terrible for flat lays.
2) Make sure that all objects have similar heights.
Want to use flowers in your flat lay? Trim them! I cut the stems super tiny and put mine in a small glass of water (the tiny ones from Ikea). And always, always, always, set the focus on the most important object (your focal point).
Mistake Number 7: Whites are not white
This is the trickiest one, especially if you shoot with natural light, from a window that doesn’t reach the floor. Have you ever seen flat lays where objects that were supposed to be white look yellowish or blue?
This problem is called white balance. Some times, it’s easy to fix, sometimes it’s not.
Here’s what to do:
Adjust white balance in your camera, and use custom white balance. The way this works is you shoot something very white first, so the camera can understand what constitutes pure white and adjusts automatically the color afterwards.
Adjust white balance in post production. I correct minor color problems in camera raw, for example
If all the above sound too complicated…choose backgrounds in another color. I promise you, there will be much less to adjust and you can add some personality to your flat lays.
Greys, blues, wood and pink and great options. Look at your brand colors and choose backgrounds that will make your products pop!
Number 8: Your flat lay lacks personality- or has a personality other than your own
You are a business woman, and as such, your flat lays (and all your photos) should promote your business and help you sell. The way to do this is for each and everyone of your photos to contribute to telling your brand story.
They should showcase your brand personality, remind people of who you are, start conversations.
Lots of people fall into the trap of the “luxe lifestyle” photo and end up choosing images that have nothing to do with them, their message or their target audience and end up alienating prospective buyers.
When you choose stock images or create your own, make sure your best friend would recognize YOU in them.
what do you talk about in your blog and social media posts?
What objects remind you of defining moments in your life and career?
What objects could act as anchors of your message and your personality?
What objects reproduce the shape of your logo?
These were the mistakes you need to avoid when creating a flat lay and what to do instead.
If you liked this video, subscribe to my email list below because many more are coming!
See you soon, with more videos to help your business grow beyond your wildest dream
Have you ever scrolled down social media and seen one of those funny photos with moving parts or text and wondered how they’re created?
Have you ever wished you could create images like the the one below, with animated parts that catch your attention the minute they appear on your news feed?
In today’s blog post I tell you why you may want to create gifs for your promotions (they’re catchy! they attract attention easily! they’re fun!) and, more importantly, I’ll show you step by step, how to create them. It’s fast and easy, I promise.
And the best part? I’ll show you how to create them with and without Photoshop, so there are no excuses.
Ready to get started? Click play to learn how to do it.
And if you’re wondering how you can use Gifs in your marketing, here are some ideas:
Create announcements (like the one I created above)
Show product variations (for example, different colors of a t-shirt)
Show different products, like a mini portfolio
Show all products included in a bundle
Show step by step photos of a DIY or tutorial
Show different steps of recipe making
Show what makes your service special (example: everything you include in your packages when wrapping your product and how it looks when finished).
The possibilities are endless- let your imagination fly!
Now it’s your turn! Tell me in the comments below what gifs are you planning to create first.
And if you liked this video, please share it!
WANT MORE VIDEOS LIKE THESE?
I created a series of video tutorials to help you maximize the power of your marketing images. If you have run out of ideas on how to promote your business with photos, or lack the technical know how on how to implement some of them, this course is for you!
Check the full list of videos (23 in total!) in the link below and start using your photos to their full potential!
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